FEATURED PRESS

Cape Town’s art scene is set to welcome a bold new chapter with the official debut exhibition from Half & Halve

Cape Town’s cultural calendar welcomes an important new addition as Half and Halve presents their debut exhibition, Klop Klop, curated by the acclaimed Anelisa Mangcu.

Anelisa Mangcu is weaving art into legacy

Discover South Africa’s Vibrant Contemporary Art Scene

MEET THE TEN CURATORS FOR RMB LATITUDES CURATORLAB 2024 AND OUR MENTORS!

Looking at the publication of Luvuyo Equiano Nyawose's eBhish

ART ABOUT TOWN

Gqeberha curator on mission to save historic Lovedale printing press

Belmond Unveils New Experiences in Southern Africa

Town Art Fair presents: An Endless Night curated by Anelisa Mangcu

Belmond Unveils New Experiences at Famed Mount Nelson Hotel in Cape Town

The Power of Pavement Pictures

An Endless Night — Exhibition at the Mount Nelson Hotel

BELMOND’S EPIC STORIES: CAPE TOWN TO BOTSWANA

Investec Cape Town Art Fair: A Contemporary Art Collaboration at the Mount Nelson Hotel

Want to know more about local art and design? Anelisa Mangcu is the woman to watch

Collecting photography: Why the lens plays such an essential role

Outdoor exhibitions breaking the confines of museum walls

Fotokuns verryk ’n wandeling in die strate van Stellenbosch

Outdoor photography exhibition celebrates African masters

Women Shaping Design Month Series: Anelisa Mangcu

The story you need to know about the Lovedale Press - by Elana Brundyn

Cape Town Art Fair 2022: Women’s Work - by Binwe Adebayo

Exploring the Figure - Maggie Laubser, George Pemba, Gerard Sekoto and Irma Stern

Artsy x African Art Galleries Association (AAGA): Anelisa Mangcu's Curated Picks from African Galleries Now

Unique style: Where meaningful artistic conventions are born - by Jabulile Dlamini-Qwesha

How Will Curators Institutionalise and Interpret The Portraiture Trend? - by Mary Corrigall

The Future of Contemporary Art in Africa - Young Professionals working in Art on the Continent

Black portraiture and the gaze: ‘Everything was beautiful and nothing hurt’ - by Nkgopoleng Moloi

To cast anew: ‘Everything was beautiful and nothing hurt’ at Open City - by Chaze Matakala

The New Black Portraiture - by Petra Mason and James Sey

Kimathi Mafafo: The artist connected by a thread - by Anelisa Mangcu

Orms is empowering the next generation of women in arts - by Glamour SA