Yonela Makoba
1993
“This piece began as a family meeting, talking about the need to honour our late grandmother through the ritual of itea. iTea is a ritual in the Xhosa culture done to honour those who have passed; in my family, it is performed specifically to remember a matriarch; it is a call to the spirit of that mother, grandmother… to return home.
The work explores this, asking how do you perform itea? So I started collecting teabags, living with them in my room, watching, playing with them, and setting time to be with my grannies in this way.
One day after months of collecting teabags, they lay on the floor in my room, and a friend of mine came in.
We spoke about the teabags, itea the ritual and to my surprise, he narrates a story of someone coming to him and saying ‘unesimnyama, funkeke wenze itea for omakhulu bakho’ and I hit me in that moment that I had been working with the antidote all this time, that this work, itea liyeza.
With this quilt, I entered into a series of meditations dedicated to the act of remembering, weaving together the memories and inviting my family members into this space for collective remembering. This durational piece is a dedication of time and putting my body to task in this act.” - Yonela Makoba
Ithemba
“Mhla kufika ikhwezi umntu uyohamba nesithunzi sakhe ngoxolo When the morning star, a new day comes a person will walk with their shadow in peace.
This is a shawl of hope during a dark time. It also speaks to the resolution of the conflict between myself and my ‘shadow,’ the understanding that wholeness comes in a state of harmony between the two. This work is a reminder that this too shall come to pass. Anicca.’’ - Yonela Makoba
Ubusuku obude entlango
The wildest wilderness
‘‘This piece is a reflection, it is a period of solitude.
A space of internal work and determination.
Fearful but determinately standing.
This body of work is my survival kit, With my quilt (iyeza) and my shawl (ithemba) I will walk through the village of the shadow of death.’’ - Yonela Makoba
Iyeza
‘‘This piece began as a family meeting, talking about the need to honour our late grandmother through the ritual of itea. iTea is a ritual in the Xhosa culture done to honour those who have passed; in my family, it is performed specifically to remember a matriarch; it is a call to the spirit of that mother, grandmother… to return home.
The work explores this, asking how do you perform itea? So I started collecting teabags, living with them in my room, watching, playing with them, and setting time to be with my grannies in this way.
One day after months of collecting teabags, they lay on the floor in my room, and a friend of mine came in. We spoke about the teabags, itea the ritual and to my surprise, he narrates a story of someone coming to him and saying ‘unesimnyama, funkeke wenze itea for omakhulu bakho’ and I hit me in that moment that I had been working with the antidote all this time, that this work, itea liyeza.
With this quilt, I entered into a series of meditations dedicated to the act of remembering, weaving together the memories and inviting my family members into this space for collective remembering. This durational piece is a dedication of time and putting my body to task in this act.’’ - Yonela Makoba
Yonela Makoba is an artist born and raised in Mthatha, currently based in Cape Town, South Africa. She graduated from the University of Cape Town with a BSc in Environmental and Geographic Science. The multidisciplinary artist works with photography, performance art, sculpture, mixed media, and printmaking. All her explorations, whether African spirituality, memory, body politics, the scientific method, or loss, characterise her interest in understanding herself and the world around her. She draws inspiration from everyday conversations, her plants, dreams, intshomi (Xhosa folklore), and history. Her work is a space for remembering, resolving, and processing the many intersections she encounters on her journey, and it invites anyone who so needs this space for themselves. In February 2020, the artist had her first solo offering titled 'Kwantlandlolo; a prayer for tabula rasa' hosted by Orms to complete the Orms Circle Residency of the previous year. Since 2016, she has participated in several group exhibitions in independent spaces and established galleries and art fairs like the Investec Art Fair, Latitudes Visual Art Fair, Smac Gallery, Ebony Curated, and AVA Gallery. In October 2020, she was one of 8 artists selected for the Bodyland Residency in Hogsback, South Africa, hosted by the Victory of the Word. With her most recent body of work, 'iYeza neThemba Entlango,' I entered into a series of meditations dedicated to remembering, weaving together the memories, and inviting my family members into this space for collective remembering | and re-membering. These durational pieces follow the same practice as the woodcut prints of the Amathole region of 2020. The artist dedicates time and puts her body to task to cultivate, curve, and weave a space to process.