My work speaks to the struggles and dreams of the people of Zimbabwe. Political and economic stability over several decades has forced many Zimbabweans, including myself and some family members, to migrate. Finding themselves in foreign countries – and, often, subjected to poor working and living conditions – Zimbabweans learn how to make ends meet while, at the same time, to not forgo ambition. These opposing currents – joy and desire on the one hand; exploitation and alienation on the other – often come to be represented in photographs. In these photographs, people dress their best; they choose glamorous settings for backgrounds; they pose. My paintings are based off of these photographs, conveying my countrymen’s resilience and determination to live (or, at least, to project) a better life.

The zumbani (tea leaf from the fever tree) composes the background of each portrait. Zumbani is a medicinal plant that for generations has been used to provide relief from various illnesses such as coughs, colds, headaches and, most recently, COVID-19. While its effectiveness has been disputed, I refer to zumbani symbolically. We, as Zimbabweans, are scattered across the globe; zumbani reminds us of the places where we grew up, our mothers and grandmothers who prepared this herb for us when we took ill. In this way, the flower connects us to home and ancestry. It is a sign of national identity founded on the basis of care and, thus, serves as a talisman against grief.

Tafadzwa Tega was born in Harare and studied art at the National Gallery of Zimbabwe. In 2008, Tega moved to South Africa, later joining Good Hope Art Studio. Tega has participated in several group exhibitions and has presented solo exhibitions in Cape Town and Johannesburg, South Africa as well as Lausanne, Switzerland. His work can be found in several prominent private collections, including the Leridon Collection, the Spier Arts Trust, Nando’s and the University of Cape Town. Tega is currently based in Cape Town, where he is a resident at Greatmore Studios.