
Mlhonishwa Zulu
2002
Mhlonishwa Zulu’s work reflects a deep engagement with storytelling, symbolism, and the human condition, drawing inspiration from personal experiences and observations. Influenced by childhood memories of captivating narratives shared by family members, he has developed a practice rooted in the transformative power of stories. Through his art, Zulu explores the intersections of fantasy, religion, and lived experiences, creating works that reimagine familiar
spaces and objects in surreal and thought-provoking ways. Central to Zulu’s approach is his interest in collaboration through conversation, where dialogue becomes a tool to connect diverse perspectives and build new interpretations of meaning. He employs surrealist techniques to juxtapose familiar and unfamiliar elements, fostering a sense of liminality that invites viewers to reflect on themselves and their surroundings.
Religion and symbolism play a pivotal role in Zulu’s work, particularly through his examination of Christian iconography and its contemporary appropriations. He investigates how symbols like the Cross and figures such as Jesus and Mary are recontextualized, prompting questions about their evolving meanings. His research delves into the power of signs, their cultural and historical significance, and the tensions arising from their reinterpretation. Zulu’s creative process incorporates observation, particularly in Cape Town’s diverse landscapes, which influence his understanding of space, light, and colour. His paintings often blend tangible interiors with abstract, dreamlike exteriors, creating ambiguous spaces that challenge viewers’ perceptions. By using color and composition to evoke emotional responses, Zulu transforms ordinary scenes into narratives that explore the nuances of action, inaction, and the spaces between. Through his art, Zulu constructs realms of introspection and exploration, using symbolism as a visual lexicon to address the complexities of human experience. His works serve as a bridge between internal and external worlds, inviting audiences to navigate the liminal spaces he creates.